2018, no. 1
HUMANIZATION AND LIBERALIZATION OF EDUCATION

Analysis of philosophical, anthropological approaches to the theme of school in Soviet and Russian audiovisual media texts (on the basis of feature film)

I.V. Chelysheva

DOI 10.20339/am.1-18.109pp. 109–11580 RUB

PDF

Bookmark

Abstract

Researched are philosophical approaches to cinematography, closely connected with consideration of the phenomenon of media culture in general, that in turn acts as translator and important agent of social environment. Analyzed is history of development of both Soviet and Russian as active means of cognition of reality and reflection of attitude to such. The article presents description of principal philosophical, anthropological approaches to the theme of school in Soviet and Russian audiovisual media texts. Also the author presents analysis of contemporary researches in problems of the theory and philosophy of cinematographic art, as well as identifies examples of media educational tricks and technologies on the material of cinematographic art as to of school thematic.

Funding

Статья подготовлена в рамках исследования при финансовой поддержке гранта Российского научного фонда (РНФ). Проект No 17-18-01001 «Школа и вуз в зеркале советских, российских и западных аудиовизуальных медиатекстов» выполнен в Ростовском государственном экономическом университете.

Award
17-18-01001

References

  1. Avanesov, S.S. Visual anthropology as a research discipline. URL: http://ling.tspu.edu.ru/files/ling/PDF/articles/avanesov_s_s_68_74_1_1_2013.pdf

    ling.tspu.edu.ru
  2. Borev, Yu.B. Aesthetics. Moscow, 2002.

  3. Bosov, D.V. Mainstream cinema as a factor in the formation of value orientations of student youth: Thesis diss.... cand. soc. sci. Saint Petersburg, 2017.

  4. Gozhanskaya, I.V. Cinema as an object of cultural studies. URL: http://cheloveknauka.com/kino-kak-obekt-kulturologicheskogo-issledovaniya#ixzz4mpyGyoqS

    cheloveknauka.com
  5. Davydova, O.S. “Photogeny” by Louis Delluc: experience of phenomenological reading. URL: http://cyberleninka.ru/article/n/fotogeniya-l-dellyuka-opyt-fenomenologicheskogo-prochteniya

    cyberleninka.ru
  6. Elanskaya, S.N. Socio-philosophical analysis of Soviet cinematography as a means of constructing social reality. URL: http://dislib.ru/filosofiya/66042-1-socialno-filosofskiy-analiz-sovetskogo-kinematografa-kak-sredstva-konstruirovaniya-socialnoy-realnosti.php

    dislib.ru
  7. Izadi, A. Cinema as a subject of artistic hermeneutics. URL: http://www.dslib.net/religio-vedenie/kino-kak-predmet-hudozhestvennoj-germenevtiki.html

    dslib.net
  8. Kurtov, M.A. Cinema as a social experience. URL: http://cheloveknauka.com/kino-kak-sotsialnyy-opyt#ixzz4mN4S11cp http://cheloveknauka.com/kino-kak-sotsialnyy-opyt#ixzz4mN1k712Z

    cheloveknauka.com
  9. Lepikhova, I.V. Hermeneutics of Cinema Reality. Context and Reflection: Philosophy of Peace and Man. 2014, no. 5, pp. 64–85.

  10. Lotman, Yu.M. Semiotics of cinema and problems of cinema aesthetics. Tallinn, 1973.

  11. Lubashova, N.I. “Cinematography” as a category of theory and history of culture. URL: http://cyberleninka.ru/article/n/kinematografiya-kak-kategoriya-teorii-i-istorii-kultury

    cyberleninka.ru
  12. Lubashova, N.I. Cinematography of Russia in the 20th century: culturological aspect. Thesis diss.... doct. culturology. Krasnodar, 2007.

  13. Lugovaya,Yu.A. Semiotics of the media text in the cultural and philosophical dimension. URL: 2013.http://www.ranepa.ru/docs/vissee/lugovaya.pdf

    ranepa.ru
  14. Savelieva, E.N. The specific nature of motion picture art: a return to the problem. URL: https://psibook.com/religion/spetsificheskaya-priroda-kinoiskusstva-vozvraschenie-k-probleme.html

    psibook.com
  15. Salynsky, D.A. Cinema hermeneutic of Tarkovsky. Moscow, 2009.

  16. Serbin, V.A. Problems of semiotic interpretation of meaning in cinema. Bulletin of Tomsk State University. 2014, no. 4 (28), pp. 202–210.

  17. Simakova, Yu.A. The hermeneutic potential of animation in the study of culture. URL: http://diss.seluk.ru/av-kulturologiya/5848-1-germenevticheskiy-potencial-animacii-issledovanii-kulturi.php

    diss.seluk.ru
  18. Smirnov, I.P. Video Editing. Historical semantics of cinema. Saint Petersburg, 2009.

  19. Trushkina, E.Yu. Visual anthropology: boundaries and perspectives. URL: http://cheloveknauka.com/vizualnaya-antropologiya-granitsy-i-perspektivy#ixzz4mHCZonaY

    cheloveknauka.com
  20. Fedorov, A.V. “Little School Orchestra”: the experience of hermeneutic analysis of media texts in classrooms in students. Magister Dixit. 2013, no. 2.

  21. Khrenov, N.A. Images of a great gap. Cinema in the context of changing cultural cycles. Moscow, 2008.

  22. Khudyakova, L.A. Features of the art of cinema and the evolution of their artistic and philosophical interpretations. URL: http://www.dslib.net/estetika/osobennosti-iskusstva-kino-i-jevoljucija-ih-hudozhestvenno-filosofskih-interpretacij.html

    dslib.net
  23. Shaikhitdinova, S.K. Historical and Anthropological Foundations of Media Culture. In: Media Philosophy. St. Petersburg, 2010, pp. 72–87.

  24. Stein, S. Ontology of cinema. Manager of Cinema. 2009, no. 8, pp. 58–64.